Konstatina is a young greek director who has been growing two plants. The former is about an authoritative, strong vision, the latter is about a certain, healthy, elastic eclecticism .It is fine when it happens, since you can be sitting, watching very different but consaguineous works which fight happily, without knowing if they will kill one another or if they will have a loving affair there in front of the referee. Washingtonia, on the right side of the ring, is the metaphora, is Greece which turns into Africa which turns into De Chirico.
It is dead colours like a marsh and dioramas full up with giraffes and palms with red insects into their heart. Morning prayers, on the left side, co- directed by the serbian Katarina Stankovic, it is Gaspar Noè, iridescent clubs and a Sarajevo not at all metaphoric, full up with drugs and night interiors. Whatever happens it will not be a match for young ladies.